"Any card—so long as it exists—has a power that is needed."

JC, aka GymLeaderLance99 or GLL99 or Lance99. 32|He/Him|NYC. I fansub GX, work on dub/sub comparisons for 5D's (and GX eventually), and have various other projects going. Expect a mix of YGO stuff (and a little ZeXal and SEVENS [which I'm slowly watching]), with some occasional randomness.Duel Links ID: 537-542-930 | Master Duel ID: 999-767-712
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  • silvormoon:

    kaiowut99:

    Need me some meta analysis of Misawa’s character progression from “You might make a nice rival, #1-kun” to “what’s wrong with wanting your skills to be recognized?” that doesn’t boil down to “they didn’t know what to do with him or his cards so they made him a joke lol”

    I’m doing this off the top of my head, and mostly from some rather old and sketchy memories, so please forgive me if I’m a little disorganized or not 100% accurate. Still, I’ll give it my best shot!

    Misawa is basically that kid who was probably at the top of his class back at his old middle school. He was the gifted kid everything came easily to, and he expected that this state of affairs would continue when he got to Academy Island. He thought he was going to walk in and do his thing, everyone would be very impressed with him, and he wouldn’t really have to do anything much or exert himself particularly. Only it didn’t happen that way, because Duel Academia is where the kids who are gifted in dueling go, and half the people he comes into contact with are also really, really good at stuff. Suddenly he’s not having it all his own way anymore. He’s having to compete for attention with genuine showstoppers like Juudai and Manjoume, who aren’t just good but also personable and exciting. Even on those occasions when Misawa wins, he just isn’t as interesting as these other guys, and the more time passes, the more he finds himself overshadowed.

    Of particular note is his interaction with Taniya, which I think a lot of people get wrong. It’s so easy to read Misawa’s character as “he cares too much about science and logic, and he needs to be more in touch with his emotions!” Being too logical is never Misawa’s problem. His problem is that he wants to be logical and his emotions overrule him. That’s why he loses and continues to lose to Taniya. She’s a very passionate person, but she can also be calm and logical when the situation calls for it, and when they first meet, Misawa hasn’t got that kind of balance. The minute she starts appealing to his heart instead of his head, he comes unglued.

    So the season two and the Society of Light comes along, and his life is starting to unravel, because here is where his personality flaws are really starting to bite him. Right from the start, we’ve seen that he’s a guy who thinks he has it all and doesn’t need to change. The first time he meets Juudai, they banter over which of them is going to be number one in the school, with the strong implication that Misawa thinks it’s going to be him. When everyone goes rushing off to look at the shipment of rare cards (the one Chronos takes for Manjoume, as it turns out), Misawa says he doesn’t need to worry about them because his decks are already perfect. Even when he loses the key he’s supposed to be protecting, he comes off as more concerned about what went down between him and Taniya than the fate of the universe.

    We tend to treat him as a part of the friend group, but we rarely see him hanging out with the others as friends. When he hangs out with the group, it’s because he wants something from them, whether it’s getting them to help him repaint his room when he expects to be promoted, or whether he’s just enjoying lording over them to “train” them during the Seven Stars arc. He doesn’t hang out with them just for the fun of it.

    And the other characters notice this. I really think the whole reason Sho starts in on the whole “Oh, are you here?” routine is because basically, Misawa doesn’t make an effort to hang out with the gang most of the time. It’s less of a “you are unimportant to us” thing and more a “look who decided to grace us with his presence!” thing. He took it for granted that his friends would be there when he wanted them, so he didn’t make much of an effort to keep in touch with them, and then when he did finally realize he wanted them around, the damage was already done.

    And then the Society of Light swoops in. Saiou played Misawa better than he played that piano of his. He saw how much Misawa cared about his reputation, he saw how he was starting to realize that he was being overshadowed by the flashier and more charismatic duelists, and he realized that there was no reason he needed to try to recruit Misawa when it was clear Misawa would come to him given enough time. Misawa wanted a fast track to being admired without having to put in the actual effort, and Saiou promised him exactly that. (Pay close attention to Misawa’s vision just before he throws the duel with Manjoume, and you’ll see that his imagination is populating the Society with swarms of cute girls ready to welcome him into the fold - those pesky emotions overruling logic again!) So he joins the Society.

    And doesn’t enjoy it because it still doesn’t get him what he wants. Finally, Zweinstein shows up, and his duel with Juudai makes Misawa finally confront the idea that he needs to work on himself. So he goes off on a journey to find himself and drops out of the plot for a bit, which is unfortunate for his characterization but it’s what we’ve got.

    But when he comes back, there are subtle signs that he’s a changed man. The first thing he says when he sees the transported Academy is not “come and save me” but “don’t come here, it’s dangerous!” Later, we see him making every effort to save the others and get them home safely, without showing any signs of wanting to be hailed as a hero for it. When Juudai sets out to rescue Johan, Misawa comes along even though he believes the chances of surviving are infinitesimally small, because that’s his friend and he needs to help him. They’re little things, mostly, but they demonstrate that he’s finally stopped letting his ego rule his actions and started caring more about other people.

    And so he gets his reward. He’s one of the few people to survive the Dark World arc without anything tragic happening to him, he re-unites with the woman he loves and helps her save her people, and presumably he gets to live happily ever after, which is better than some of the cast gets.

    You might treat him as a foil for Marufuji Ryo, who also suffered from “gifted kid” syndrome. Both of them had a meltdown when they finally ran up against people who were better than they were and broke their illusions of themselves as “perfect”. Their main difference is that Misawa went looking outside himself for reassurance and got sucked into the Society of Light, whereas Ryo turned inwards, rejecting everyone around him and devoting himself solely to building himself up.

    So anyway, that’s my analysis of Misawa. I know it’s not the mainstream opinion, but I hope it at least gives you a starting point for further consideration.

    …Yeah, I think you pretty much nailed it! 

    I’ve picked up on a lot of this as I’ve re-gone through episodes, especially his tendency to focus on logic over his emotions (which you addressed very well, and which definitely comes into play with Tanya), but you put it all together really well. :) 

    Definitely onto something with his concern over his reputation (which gets highlighted in 82 as Manjoume and all the converted White students laugh at him calling himself Ra’s “top student,” with a classmate even saying, “you’re hyping yourself up!”) And yeah, that part about his not really hanging out with the group as a friend I think has some merit to it.  Even in 82, he really only ends up with the group initially because of his inner turmoil about the Society of Light and whether the group feels anxious over potentially joining them with half the school converted (to which Judai basically says “we always have and always will be Reds”).  I do think he does hang out decently with the others (their getting together to watch Ryou duel Ed, for example), but I think there’s something there, and with putting the “Oh, you’re here” thing in the lens of his usually wanting something out of the interaction which does feel accurate, so I think you’re right in how after his time with Zweinstein later, his mindset has shifted and he’s selflessly trying to help them get back home–it does feel different from the slightly smug, “my deck’s perfect,” Misawa we have initially.  When that “Eureka!” hit, it definitely really hit.

    And I suppose it does speak to our human need for validation, too, in the way he looks outside himself to Saiou and the SoL for it only to learn the lesson that it comes from within.  I think it’s realistic that he’d go off for a while and do the work to improve himself, and he does ultimately come back stronger for it.  Also like the nod to the other extreme that happened with Ryou and his closing himself off to focus only on winning, respecting opponents be damned.

    • 10 months ago
    • 77 notes
    • #GX
    • #meta
    • #Daichi Misawa
    • #thank you for that! :)
    • #this is the kind of Misawa talk i'd love hearing about in a video essay lol
    • #while it's not as overt as Judai's character arc could be considered
    • #i've always felt there were bits and pieces coming together to explain what happens to Misawa
    • #again beyond the idea that they make him a joke
  • Need me some meta analysis of Misawa’s character progression from “You might make a nice rival, #1-kun” to “what’s wrong with wanting your skills to be recognized?” that doesn’t boil down to “they didn’t know what to do with him or his cards so they made him a joke lol”

    • 10 months ago
    • 77 notes
    • #Lance it up!
    • #GX
    • #yugioh
    • #yugioh gx
    • #Daichi Misawa
    • #rewatched 82 to prep for finalizing its subs and
    • #i just find that intriguing
    • #and as Ed put it 'the weakness of his heart' that Saiou was able to seize on
    • #i mean maybe sure it does just boil down to lost potential with his rivalry with Judai
    • #and Kenzan's and others' introduction in S2 reducing their ability to focus on him
    • #so it's possibly occam's razor at play
    • #but
    • #i do think there'd be a bit of a linear progression there
    • #the whole 'oh you were here?' gag does play into it but curious if there's a lead into that coming off S1
    • #questions for people more able to articulate it i suppose haha
  • ygo-brainrot:

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    the m in daichi misawa stands for mansplain (and malewife)

    • 10 months ago
    • 94 notes
    • #pfft
    • #GX
    • #Daichi Misawa
    • #Shou Marufuji
    • #Tyranno Kenzan
  • Throwback to this wholesomeness

    overobsessedfanboy13:

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    • 11 months ago
    • 126 notes
    • #best professor
    • #GX
    • #Chronos de Medici
    • #Judai Yuki
    • #Asuka Tenjoin
    • #Shou Marufuji
    • #Tyranno Kenzan
    • #Daichi Misawa
  • booksanditsseriesormovies:

    Yu-gi-Oh! Series’ Openings (Japanese)

    Yu-Gi-Oh! GX - Season 2 Opening 1: 99% by BOWL

    When it’s morning, I’ll go greet you; everyone is the same, weak
    But the truth is, there is no wall there as much as you feel there is


    • 1 year ago
    • 13 notes
    • #GX
    • #Judai Yuki
    • #Jun Manjoume
    • #Shou Marufuji
    • #Daichi Misawa
  • GX Finalized-Subs!77 (WIP): A Fireside Snack ‘n Chat

    • 1 year ago
    • 11 notes
    • #GX
    • #yugioh
    • #yugioh gx
    • #ygo
    • #ygo gx
    • #Judai Yuki
    • #Honoumaru
    • #Iwamaru
    • #Sugoroku Mutou
    • #Daichi Misawa
    • #subbing rambling
    • #quick little preview given the delays with 77-79 :)
    • #currently just past the eyecatch after Iwamaru summons Granmarg
    • #[taken moments before disaster as Judai learns they're with Mizuchi]
  • mutouaichi19:

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    • 1 year ago
    • 52 notes
    • #GX
    • #Judai Yuki
    • #Jun Manjoume
    • #Asuka Tenjoin
    • #Shou Marufuji
    • #Daichi Misawa
  • mutouaichi19:

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    • 1 year ago
    • 38 notes
    • #judai pls
    • #GX
    • #manga!GX
    • #Judai Yuki
    • #Asuka Tenjoin
    • #Shou Marufuji
    • #Daichi Misawa
    • #Jun Manjoume
  • breakoutbox:

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    surprised misawa

    • 1 year ago
    • 50 notes
    • #pfft
    • #GX
    • #Daichi Misawa
    • #art
  • GX 79->80 (WIP #2): Enter Despairland

    Following up on this post, I wanted to drop a quick update now that I’ve been editing this for about 2-3 weeks so far with Sony Vegas and Photoshop. (Original video here for comparison.) Off the top, because of how hard it seemed to me to try and edit the sides of Alice’s hair in the later panning shot at the window to remove the blue sidebars (her hair blends too much into the night sky behind her given the video quality), I opted to just focus on the TV sponsor text in the middle; may as well keep the sidebars for the Japanese-text clip I’ll include with 79′s DVDRip upon release, while I’ve added these solid sidebars so I could add the English text for the final product.  Special thanks to @popflythesky who very graciously offered to help with this (🙏🏽🙂)–more on that down below.

    Keep reading

    • 1 year ago
    • 5 notes
    • #yugioh
    • #yugioh gx
    • #GX
    • #ygo
    • #ygo gx
    • #subbing rambling
    • #Daichi Misawa
    • #Alice in Despairland
    • #hope the editing process makes sense lol
    • #had a whole post going until i decided to save my video-upload post as a draft
    • #and then tumblr just up and ate it ughhh
    • #so tried to redo from memory lol
    • #anyway yeah stay tuned
    • #do like how this looks so far :)
    • #rejected Alice design my beloved
    • #[i like to think she's telling Misawa 'heya']
  • GX 80 (WIP): Enter Despairland

    Really would love to one day know the backstory behind why the clip we’re shown in the TV airing of GX episode 79 as a preview to 80 (Misawa researching the Alice in Despairland card to find this Alice [remarkably different from the Alice we’d ultimately get] right outside his window) was never actually included in episode 80 proper…

    …but until then, as I’m working on finalizing my 77-79 subs, I did want to try and retain this clip during the “Just After This!” bit before 79′s card showcase, and to do so, I’m cleaning it up to remove the Japanese sponsor text along the middle of the shot–I originally wanted to try to remove the side “Just After This!” bars as well to make it fully textless (as was done with some help back with the Manjoume clip featured at the end of episode 24 that wasn’t in 25), but even if I asked for some help on that, I felt that–given the way Alice’s hair waves in the pan shot here, the lack of detail as the pan goes on and the hair blends into the night sky a bit, and the way the sky still moves a little behind her–that’d be near impossible.  Alas.  So, rather than giving up and just making a new “Just After This!” clip, I’m doing the next best thing to try and preserve this by just focusing on the Sponsor text and using solid bars on the side instead of the usual transparent ones.  Looks okay so far!

    Keep reading

    • 1 year ago
    • 8 notes
    • #GX
    • #yugioh gx
    • #yugioh
    • #ygo
    • #ygo gx
    • #Daichi Misawa
    • #Alice in Despairland
    • #Alice
    • #subbing rambling
    • #and since the DVDrips don't include these 'Just After This' clips this is exclusive to the TV airing
    • #always the theory they were going a bit too nightmarish but
    • #actually Natalie should've asked this to Hikokubo in that recent interview lol
    • #so interesting
    • #[tumblr tags looking to be dumb rn figures]
  • chimeriad:

    their duel links quotes are sooo funny like why are they like that

    • 1 year ago
    • 165 notes
    • #GX
    • #Asuka Tenjoin
    • #Judai Yuki
    • #Daichi Misawa
    • #Tyranno Kenzan
    • #Shou Marufuji
    • #Ryou Marufuji
    • #Jun Manjoume
    • #art
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    GX Finalized-Subs!75 - Field Trip Sights (Final)

    For my finalized episode 75 subs, I translated the front cover of the town guidebooks held by Shou and Kenzan in the eight scenes it’s visible in.  I first blanked it and applied the translations in the second-to-last shot it’s in–the closeup as the two show them to Sugoroku, which I also used for 75′s preview in ep. 74–then isolated it to manipulate into the other scenes, mainly using AfterEffects’s CC Power Pin effect and then masking in the right side of the original cover (with the landmark photos, but above the bottom “Legendary Duelists’ Stomping Grounds” text) on top to make it blend in.

    (Bonus: little tidbit I noticed with those first two scenes)

    • 1 year ago
    • 11 notes
    • #GX
    • #yugioh
    • #ygo
    • #yugioh gx
    • #ygo gx
    • #Judai Yuki
    • #Shou Marufuji
    • #Tyranno Kenzan
    • #Ed Phoenix
    • #Daichi Misawa
    • #Sugoroku Mutou
    • #subbing rambling
  • akidachi:
“Its the year of the tiger! everyone draw Tania!
”

    akidachi:

    Its the year of the tiger! everyone draw Tania!

    Source: akidachi
    • 1 year ago
    • 174 notes
    • #GX
    • #Tanya
    • #Daichi Misawa
    • #art
  • nightfurylover31:

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    Found a bonus chapter from the GX manga of Jaden and Koyo’s duel, and got a better view of Alexis’s new outfit. Love it! 💙

    • 1 year ago
    • 68 notes
    • #huh
    • #i forgot she showed up in this
    • #is that her in her ARC-V outfit or did ARC-V use this outfit?
    • #hmm
    • #GX
    • #Asuka Tenjoin
    • #Shou Marufuji
    • #Daichi Misawa
    • #also cool that Misawa had his ep1 outfit
© 2012–2023 "Any card—so long as it exists—has a power that is needed."
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