"Any card—so long as it exists—has a power that is needed."
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Yu-Gi-Oh! GX Episode 13: Judai plays a card game with a very smart monkey.
Yu-Gi-Oh! GX Episode 151: Distraught with agonizing guilt over the murders he has committed as the Supreme King, a manifestation of the darkness inside his heart that gained dominance after Judai succumbed to despair due to the death of nearly all of his friends, Judai vows to redeem himself by saving one of the only people he has left in the world, his best friend and heavily implied love interest, once thought dead, from the vengeful dragon spirit Yubel, who is possessing him in an attempt to win Judai’s affection and fuse all dimensions, which would subsequently result in the destruction of the entire universe.
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Ok. Ok. Look. I don’t care where you stand on Roseknightshipping in particular, I don’t even care where you stand on 5Ds shipping in general, but you cannot. You cannot tell me there’s anything remotely straight about this moment. Like, this cannot have been an accident.
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yuri from yu-gi-oh arc-v
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>:3
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YU-GI-OH! GX • ENDING 3 • SUN
With the sun lighting the world, I keep living. -
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It’s time to remind everyone that Jonouchi did this
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my boy can’t work a handshake
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The clips of the lost ZeXal dub, edited to sync with the actual raw anime clips. Check the source for the panel where these clips came from, and a little insight on how this dub was born and how it died.
“Prior to the conclusion of the Yu-Gi-Oh! lawsuit last year, the Japanese licensors of Yu-Gi-Oh! were confident of their chances at triumphing in court and taking back the rights to the franchise. Ignoring the court’s warnings not to exercise the rights to a product that it hadn’t yet secured, ADK proceeded to produce its own version of Yu-Gi-Oh! Zexal. ADK tapped Reed to direct the series with an L.A.-based cast, including Johnny Yong Bosch (Yuma), Vic Mignogna (Shark), Richard Cansino (Bronk), Cassandra Morris, Sam Riegel, and Liam O’Brien. After nine months, the result was a full-fledged product that was ready for the airwaves.
“We cast it, we recorded up to 26 episodes of it, we stripped out the music, completely recomposed to picture with two amazing composers, re-sound designed it, reanimated some sequences, and it was one of the most big-budgeted things I’ve ever worked on as far as anime goes,” Reed explained. Oh, and Yuma actually says “Kattobing” in this version, haha.
Dissatisfied with 4Kids’ work and not wanting to do business with it any more, ADK bent over backwards to make sure the L.A. team did well and were happy working on Yu-Gi-Oh! Zexal. Reed described how ADK sent the L.A. team hard drives full of all of the animation layers and After Effect files, giving the American producers full rein to easily edit the video as they needed. Did they want to fix the mouth flaps to better fit the English dialogue? No problem! Did they need to edit an image so the network censors didn’t get on their case? Simple!
Within the American anime production industry, obtaining such resources from the Japanese studios is completely unheard of. The studios are very protective of their properties (and who wouldn’t be?) and licensees regularly need to adapt within the confines of the animation as it is presented.
Of course, we know how the lawsuit ultimately turned out. The Yu-Gi-Oh! Zexal anime by 4Kids and Konami with the New York-based cast remains the de facto version of the show, while the version with the L.A.-based cast gathers dust inside a box.”
- http://ravegrl.wordpress.com/
I do not own Yu-Gi-Oh, or Yu-Gi-Oh ZeXal. No copyright intended.
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“Judai, very soon, I think you will understand… your reason for Dueling.”
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